Publications in OpenAlex of which a co-author is affiliated to this organization
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| Title | DOI |
|---|---|
| How Unpopular Musicians Live: Complex Leisure Careers in Toronto's Indie Scene | |
| Music by the Ducat: Giuliani's Guitar and Vienna's Musical Markets, 1806-1819 | |
| Mindsets: Case Studies on Incremental and Entity Theories in Undergraduate Music Students | |
| The Urge to Vary: Schubert's Variation Practice from Schubertiades to Sonata Forms | |
| How Can I Keep From Singing? A Phenomenological Study of the Experiences of Ontarian Choral Music Educators During the COVID-19 Pandemic | |
| Wormholes | |
| The Repertoire of John Beckwith for Solo Voice and Piano: An Interpretive and Pedagogical Guide | |
| American Samleng: Voices of Cambodian Diaspora | |
| Becoming a “Professional Folklore Musician”: The Coloniality of Higher Music Education in Peru | |
| Therapeutic Instrumental Music Training and Sensory-enhanced Motor Imagery in Chronic Post-stroke Upper-extremity Rehabilitation: A Randomized Controlled Trial | |
| Discursive Formations of Community Music and the Production of Canadian Citizens in Toronto's Settlement Movement, 1900s-1930s | |
| Frankenbike Re-imagined for Percussion Quartet and Electronics | |
| The Effects of Transmediation on Students' Creativity Through Collaborative Composing | |
| https://doi.org/10.1038/s41598-026-43485-w | Dyad practice facilitates motor learning in music |
| Two recitals | |
| Band in a Box: Techniques of Solo Jazz Piano 1921-1940 | |
| https://doi.org/10.1093/aesthj/ayag001 | Musical Performance as Translation: A Hermeneutics |
| https://doi.org/10.7202/1014102ar | Alan Lessem, collègue inestimable |